Read, Watch and Listen
To Watch and Listen
10 April, 2026
Johannes Brahms | Piano Concerto No. 1
Programme Notes
It was Schumann who, in 1853, recognised the genius of the young man from Hamburg, presenting him as the heir to Beethoven’s tradition—a figure whom both revered as the supreme model of musical greatness. This symbolic triad forms the spiritual backdrop to the Piano Concerto No. 1 in D minor.
To Watch and Listen
2 April, 2026
St John Passion | Teaser
A masterpiece of sacred music
The St John Passion is one of the greatest artistic achievements in history, a masterpiece of sacred music. With two days to go until Good Friday 2026, we return to the score that Bach wrote for the same occasion in 1724.
To Watch and Listen
27 March, 2026
Interview with Elena Schwarz | 27 March 2026
Conductor of the concert "A Violin for Brahms"
Elena Schwarz conducts a concert by the Porto Casa da Música Symphony Orchestra, featuring works by Johannes Brahms and Dmitri Shostakovich.
To Watch and Listen
23 March, 2026
The Celestial City | 24 March 2026
Interviews with soloists and the conductor
Having worked together for many years, Pedro Neves and Filipe Quaresma are reunited on stage for a concert that brings together, for the first time, the Remix Ensemble Casa da Música and the Beira Interior Orchestral Ensemble.
To Read
13 March, 2026
April, a Thousand Keys
The keys echo throughout the Casa, reminding us how a single instrument can contain entire worlds.
After the equinox, the days grow longer and the programme blossoms into a tapestry woven from the sacred and the earthly, virtuosity and community, memory and invention. Yet one thread runs through the entire month, a presence that asserts itself through the diversity of voices and universes it embodies: the piano.
To Read
13 March, 2026
Partitura · April 2026
April 2026 Agenda
After the equinox, the days grow longer and the programme blossoms into a tapestry that weaves together the sacred and the mundane, virtuosity and community, memory and invention.
To Watch and Listen
12 March, 2026
A weekend at Casa da Música
14–15 March
A musical weekend dedicated to the flute, featuring marathons of performances by students and teachers celebrating shared passion and enthusiasm across various venues at Casa da Música.
The programme includes concerts by the Symphony Orchestra and the Choir, with repertoires ranging from the Baroque to the 20th century.
A diverse musical journey, blending tradition and innovation, to be enjoyed over two days.
To Watch and Listen
5 March, 2026
The Firebird | 6 March 2026
Teaser featuring conductor Oscar Jocke
Conductor Oscar Jockel makes his debut at the helm of the Porto Casa da Música Symphony Orchestra with a programme featuring works by Aram Khachaturian, Alexander Zemlinsky and Igor Stravinsky.
To Watch and Listen
26 February, 2026
17 th Open Course in Music History
André Granjo on the module ‘Forgotten Gems of Portuguese Classical Music’
This musical journey rediscovers works by often-overlooked Portuguese composers, such as Francisco de Lacerda and Ruy Coelho.
A programme that reveals the richness and diversity of Portuguese classical music, bridging tradition and modernity.
An invitation to appreciate a unique and as yet largely unexplored musical heritage.
To Watch and Listen
26 February, 2026
Sinfonia n.º 7 de Dvořák
Excerpt
Dvořák’s Symphony No. 7 will be performed on 27 February and 1 March by the Porto Casa da Música Symphony Orchestra, conducted by Jean-Marie Zeitouni.
To Watch and Listen
20 February, 2026
Folk Songs | 24 Feb 2026
Eduarda Melo and Folk Songs
"Black is the Colour", the opening track from Luciano Berio’s "Folk Songs", inspires a concert featuring soprano Eduarda Melo and the Remix Ensemble.
With its roots in traditional Scottish folk music, the song has spanned generations and geographies, having been reinterpreted by numerous artists.
A programme that explores different soundscapes, bridging tradition and contemporary creation.
To Watch
20 February, 2026
The Blue of the Sea | 21 Feb 2026
Joana Carneiro on the concert "O Azul do Mar"
The mysterious deaths of two of his apprentices have cursed the fisherman Peter Grimes, a man driven to self-destruction by the inhabitants of the village where he lives. Benjamin Britten’s first opera unfolds amidst waves of loneliness and has become a landmark in the history of British music.