This is an encounter that appeals to the senses. First, the voice as the root of all music. La nuda voce, a very recent work by Francesca Verunelli, seeks the moment when the voice separates from the body to become song, from the most intimate vibration of the vocal cords.

The Brazilian singer-songwriter returns to Portugal to perform solo renditions of some of her greatest career hits – accompanied by the simple grandeur of the acoustic guitar that is her constant companion – as well as recent songs that delve deeper into her longstanding exploration of Portuguese-language poetry.

A tribute to the female voice in Portuguese music – that's the overarching definition of Ela por Elas, the eighth album by Viviane, in which the Luso-French artist and co-founder of the much-missed Entre Aspas revisits songs by renowned bands originally performed by charismatic women.

Richard Strauss gave the oboe some of his most beautiful melodies, but it was only at the age of 80 that he decided to dedicate an entire concerto to it.

On All Saints' Day, Christians commemorate those who have passed away. It was also on this day that the great Lisbon earthquake struck, killing thousands of people, many of them in the very churches where they were paying homage to their dead.

They are among the most sought-after piano duos today and have the ability to fill concert halls with an unusually young audience.

Described as a "powerful" pianist by critics, Spain's Leo de María has won over 50 awards in international competitions and is considered one of the best artists of his generation.

Produtor, DJ e fundador da editora Odd One Out, Yotto é um dos nomes mais influentes da eletrónica melódica contemporânea, cruzando house, techno e atmosferas cinematográficas em atuações intensas e imersivas.

Bach não determinou a instrumentação da sua Arte da Fuga, o brilhante testamento que faz culminar séculos de música e a vida criativa do próprio compositor. Mas não imaginava a desconstrução de que seria alvo pelas mãos do seu compatriota Johannes Schöllhorn, dois séculos e meio mais tarde.

A drama by Pier Paolo Pasolini meets The Passion According to St. John in this concert shared between the Baroque Orchestra and the Remix Ensemble.

“Yes, I am Brazilian, and very Brazilian. In my music, I let the rivers and seas of this great Brazil sing. I put no brakes, no restraints, no gag on the tropical exuberance of our forests and our skies," confessed Heitor Villa-Lobos.

"Cartas de Desamor" is Luísa Sobral’s eighth album and marks her move towards traditional Portuguese music. Exploring new territory, this work represents a creative and emotional rebirth following a period of deep introspection. Without ever losing sight of her focus on lyrics and singer-songwriting, the composer blends her own identity with the rhythms and percussion of our culture