Concerts on the Terrace

On Wednesdays, the terrace hosts vocational music schools, giving them the opportunity to showcase, in different ensembles and styles, the work developed throughout the school year.

Although we can generally place Flerb’s sound at the intersection of rock and jazz, the band has a habit of taking aim at musical conventions. Based on improvisation, its members fuse different elements to create unique and exciting soundscapes.

About three years ago, a pop-rock band was born in Parede (Lisbon) whose name, Sea Angels, reflected the passion of its four members, two pairs of sisters, for the sea.

On Wednesdays, the terrace hosts vocational music schools, giving them the opportunity to showcase, in different ensembles and styles, the work developed throughout the school year.

Carlos Cavallini’s debut album is called O Tamanho do Tempo [The Size of Time], a work that looks at immensity – of time, of the sea, of the sky, of the self. The Brazilian singer-songwriter, who has been living in Lisbon for the last 15 years, offers us a set of songs that traverse loves, deserts, calm seas and even places outside of time.

Gobi Bear is the one-man-band of Diogo Alves Pinto, a musician from Guimarães who is committed to raising the bar in Portuguese folk music. Although he is still young, he has already released six albums and EPs. Inorganic Heartbeats & Bad Decisions is his latest. With pedals and loop stations on his tiptoes and his guitar held tightly between his arms, Gobi Bear warms the soul of anyone who hears him.

On Wednesdays, the terrace hosts vocational music schools, giving them the opportunity to showcase, in various formations and styles, the work they have developed throughout the school year.

With a 10-year career and three albums out, the last of which was live, Vitrolab is made up of brothers Guga (vocals and guitar) and Marcelo Barbosa (vocals, bass and programming).

Clube do Choro do Porto joins Portuguese singer Patrícia Lestre to present the multimedia concert “78 Rotações – Libertação da Memória Sonora” [“78 Rotations – Freeing the Sound Memory”] whose repertoire is fuelled by the recreation of songs originally recorded by the Brazilian and Portuguese recording industries in the first half of the 20th century.